The experimentation proposal brought together techniques such as: experimental drawing, photography and installation; and conceptually delved into the reflection that has been developing on the history of women in the West, making visible the importance of their presence in time through the reinterpretation of the Greek myth of the Moiras; a story about three women, old spinning sisters, daughters of the night, in charge of weaving the thread by which destiny is governed, figures that allude to the limited and finite time typical of humanity.

I took up the myth mentioned above in a metaphorical way, relating it to the plot of the everyday, (everyday life represented by the thread of existence that the Moiras weave) that women make in the domestic space and that has had a determining influence on the history of being. feminine. In this sense, conceptually I summarize the domestic and everyday in the craft of weaving and in a simple and common material: salt. Symbol of home in most cultures around the world; a mineral that has a close relationship with human life, a reminder of our origin: the sea. Present in our bodies, in our fluids, in our tears.

From the above, with this residency, I explored the work of weaving and spinning, together with the symbolism of salt and the conceptions of temporality that will emerge from the union of these two aspects in the creation of drawings that simulate crochet knits. . In this sense, I find this residence as a creative impulse of new meanings, a possibility to experiment, to broaden the perspectives on femininity and the processes by which it is constituted in my artistic work. Finding new coordinates from which to map the feminine and draw alternative maps of gender relations.